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Kenji Mizoguchi
Filmmaker

Kenji Mizoguchi

Famoose for

Directing Ugetsu and Sansho the Bailiff, celebrated for flowing camera movement and stories of suffering and compassion.

Sisters of the Gion · Ugetsu

Born
16 May 1898
Birthplace
Tokyo, Japan
Died
24 August 1956

More people

Kenji Mizoguchi

Kenji Mizoguchi built a major career from silent cinema into the 1950s, repeatedly examining the restrictions placed on women.

Early life

Family hardship

Grew up in Tokyo amid financial instability; his older sister supported the family.

Artistic training

Studied painting and worked in design before entering cinema.

Career

  1. 1920

    Studio entry

    Joined Nikkatsu and trained in filmmaking.

  2. 1923

    First feature

    Made his directing debut with The Resurrection of Love.

  3. 1930s

    Mature style

    Developed socially critical dramas with writer Yoshikata Yoda.

  4. 1950s

    International acclaim

    Venice recognition brought his late films to a wider audience.

Selected work

Sisters of the Gion

Two geisha take different approaches to dependence on men.

Ugetsu

Wartime ambition crosses into a ghostly world.

Sansho the Bailiff

A separated family suffers under a merciless slave system.

Beyond work

Formative arts

Studied traditional theatre, dance and painting alongside cinema.

A troubled contradiction

Despite films about women's oppression, he opposed actor Kinuyo Tanaka's move into directing.

Sources & photo creditLife, career and referencesBritish Film Institute: film and context

Photo: Unknown author Unknown author. Public domain · Original image. Cropped and displayed in monochrome.